Wednesday, 12 October 2022

Happisburgh, Norfolk: More than 15 minutes of fame

All but one of the photographs published here are my own. 

The lighthouse

Apart being a quiet & peaceful corner of Norfolk and well known for its a striking barber's pole of a lighthouse I never thought that Happisburgh had more notability than that. Happisburgh's apparent calm obscurity and that sense of it being no-where-ville was actually one good reason for the wife and I to have a couple of nights there in a caravan as a get-away from it all. I had never visited Happisburgh before and to my shame thought that it lacked notability. Well, I was wrong. Happisburgh sprung some surprises and in terms of its significance it punches well above its weight. 

The well-maintained village sign

Arriving on the North Walsham Road at what looked to me to be the centre of Happisburgh we found it marked by a colourful village sign which makes cryptic allusions to Happisburgh's early history. At this point one also finds a crossroads: The road to the left runs up to the church which with its high tower has dimensions disproportionate to the tiny size of Happisburgh. The church was largely rebuilt in the 15th century in the perpendicular style and this rebuild was probably financed by the wool trade, a trade that made Norfolk a wealthy place to be. The road to right is the high street: It boasts one tiny shop and a school. The high street eventually leads on to Whipwell street which in tum runs into Whipwell Green where legend has it that a well existed. This well is at the centre of a macabre ghost story which I heard told as a youngster, but it was news to me that Happisburgh was the location of this alleged haunting.

The Hill House Inn

Straight ahead at the crossroad is a hill which runs up to the Hill House Inn and then on to a derelict caravan site that was cleared of caravans some years ago because of coastal erosion (In fact the site has moved inland to the site where we were spending our two nights). Whilst dinning in the half-timbered interior of the ancient Inn the landlord told us that the grade 2 listed Inn had been given twenty years before it fell into the sea. It was criminal, he said, that those losing their homes to the sea were expected to pay for their demolition costs before they littered the beach. 

When Sherlock Holmes creator Arthur Canon Doyle visited this part of the world it inspired two of his stories: The North Norfolk legend of Black Shuck was behind the story of "The Hound of the Baskervilles" and at the Hill House Inn where he was fond of staying an inspiration came for the story of "The Dancing Men".  The Eastern Daily Press  tells us: 

Lying in a quiet Norfolk coastal village just a stone's throw from the sea, The [Hill House Hotel] was the perfect retreat for a famous writer who wanted to work in solitude. His writing desk was placed at the window, facing a bowling green and the sea, and the author was left in peace, with a maidservant on call to attend to him when he needed. Sir Arthur Conan Doyle liked the hotel so much that he became a regular visitor, and as well as providing peace and quiet, the Hill House also provided inspiration - in the form of a curious hand-written script formed by stickmen that the landlord's son had written in the guest book. Conan Doyle was so taken with the code that while staying there in May 1903 he wrote a Sherlock Holmes story called The Adventure of the Dancing Men, rated by aficionados of the great detective as one of the best.

Doyle captures the atmosphere of this part of Norfolk in The Dancing Men where he writes:

...there was much around us to interest us, for we were passing through as singular a countryside as any in England, where a few scattered cottages represented the population of today, while on every hand enormous square towered churches bristled up from the flat green landscape and told of the glory and prosperity of old East Anglia. At last the violet rim of the German ocean [The North Sea] appeared over the green edge of the Norfolk coast and the driver pointed with his whip to two old brick and timber gables which projected  from a grove of trees. "That's Ridling Thorpe Manor" said he.

Happisburgh church: One of those enormous square towered 
churches Canon Doyle speaks of.


The North Sea eats away at Happisburgh's cliffs

Doyle's reference to Ridling Thorpe Manor reminds me of Happisburgh Manor whose enormous thatched roof and chimneys we glimpsed poking over a line of trees. I don't think I've ever seen a mansion that large with a thatched roof; but then it is a Victorian fancy and belongs to the world of the Victorian imagination and a romantic take on all things medieval. With its lower half hidden behind the copse its builders would be proud to know that it looked the epitome of mystique and could well serve as the romantic setting for a haunting period piece. But at about 200m from the sea it seems to have become a hot potato. 

The under populated isolation which is North Norfolk would have been strong in Doyle's day: By the 19th century the wealth and importance of Norwich and Norfolk had diminished considerably since the halcyon days of the Middle Ages as city & county lost out to the big industrial cities of the North. Also, although transport & communication had improved by Doyle's time it was still not advanced enough to rid North Norfolk of that sense of disconnection which can be felt even today. In Victorian days it was very much a slow backwater and its folk perhaps therefore more open to accepting the paranormal. I am sure it's significant that Doyle, who was fascinated by the paranormal, placed his other Norfolk inspired story in the wilds of isolated Dartmoor. Wild and isolated countryside seems to stimulate the imagination and enhance a sense of the numinous: Fred Hoyle and the Brontes may be further evidence of this rule of thumb.

A small erosion valley opens up in the soft cliffs of Happisburgh. 

The inevitable carving away of the glacial till cliffs of Happisburgh is slowly removing it from the map of Norfolk. But ironically it this very process which has put Happisburgh on the world map of paleontological fame. For underlying the till is a basement rock which been uncovered to reveal early hominin footprints. At nearly a million years old these are the oldest hominin footprints outside Africa. See here for more: Happisburgh footprints - Wikipedia . This is so long ago that the owners of these footprints would have seen a very different night-sky to the one I saw when I went out to look at the stars on our second night. In comparison with these time scales, it feels as though Happisburgh church was built only yesterday.  

A more recent manifestation of the hominin group
 treads Happisburgh's basement rock.  

From its ghost stories & legends, through Canon Doyle's dancing men, to those enigmatic ancient footprints, Happisburgh has plenty to pique the interest of the student of mystery. Take for example those early hominins: What did they look like? What did they think of the world in which they found themselves? Did they have a purely bestial secular mind set and simply take it all as necessarily granted and gave no further thought to it?* Or did they look up at the stars and wonder and attempt to make anthropic sense of those cosmic contingencies by integrating the enigmatic facts of life with religion? Did they have rituals and ritual sites? All the paleontologists find are the bare necessities of adaptive survival like flint tools and butchered bones. The kind of sacred sites we find associated with the neolithic and later ages have not been found in the Paleolithic; such sites seem to be a function of the wealth surplus of farming communities, an example being, of course, the monumentally huge structure that is Happisburgh church.

An air of intrigue & mystery hangs over Happisburgh which whets the appetite of the curious as did those strange dancing men fascinate Sherlock Holmes. 

Relevant Link:

Famous Sherlock Holmes manuscript by Sir Arthur Conan Doyle written at Hill House Hotel in Dereham set to fetch $500,000 at ... | North Norfolk News


Footnote

* This sentence is based on the fact that our science in essence only describes the inherent organization of our experiences: In this sense we are no further forward in our understanding than Paleolithic races whose difference to ourselves was that they didn't have available those very powerful and general descriptive organizing principles (e.g. the laws of physics) that we have today, or a sense of sight and sound greatly magnified by the artifacts of technology. But essentially those principles are a means of description which in the final analysis rely on a kernel of brute contingent fact at which point descriptive explanation hits a logical barrier and can go no further.  See here: Quantum Non-Linearity: Something comes from Something: Nothing comes from Nothing. Big Deal (quantumnonlinearity.blogspot.com)

Saturday, 9 July 2022

Abington, Fred Hoyle and the Cosmic Perspective.


The oldest house in Abington, Cambrideshire. 

Recently I happened to be in Abington, Cambridgeshire, for a family reunion event. One of the activities provided by the hosts was a very interesting guided tour round the historic village. The village is stacked with old houses some of which are pre-Tudor, an example of which I've pictured above. This particular house, which boasts the resilience of wood frames, is the oldest in the village, perhaps 14th century, the century of the societal mold breaking disaster of the black death. The existence of so many old houses is product of an irony: Going back some years we would likely find that the inhabitants of Abington were by and large dirt poor rural workers. In fact, too poor to support an economy with the wealth to update the houses of Abington. The effect was to preserve what to our modern eyes are delightful & quaint rural cottages, so delightful that only the rich can now afford to buy them and maintain them: Hence the area is now the sedate backwater for the relatively well-heeled.

Like history in general the development of Abington is a microcosm of chaotic twists and turns with no grand plan to explain or rationalize its complex history or layout. As with most human settlements it evolved in a haphazard fashion; a dwelling here and a dwelling there built as the complex vicissitudes of daily life made themselves felt. For me, however, there was to be in interesting twist at the end of the tour.

***

As our guide was finishing off he made a passing comment that just round the corner from where we were assembled cosmologist Fred Hoyle had his home during his tenure at Cambridge university. This was a complete surprise: I'd been coming to Abington and visiting relatives here for 38 years and this was the first I'd heard of it. It was as big a surprise to me as finding Cromwell's house in the shadow of Ely Cathedral. After I expressed an interest one of the guides took me to see it; it was an elegant looking Georgian/Regency house:


The plaque on the front wall reads:



At the age of 58 and after 28 years Hoyle resigned from the faculty of Cambridge university in 1973 as a protest against university bureaucracy* and moved to the Lake District, not that far from his region of provenance. By all accounts Fred Hoyle was not an easy-going character and didn't suffer fools gladly. I suspect that he put much of his own personality and how he viewed himself in relation to those around him in the pugnacious character of John Fleming, the scientist in Hoyle's novel "A for Andromeda". Fleming, like Hoyle, was constantly picking arguments with those lesser intelligences around him. Only Fleming could read the writing on the Wall about the danger of an intruding cosmic intelligence that had taken on the form of a computer. I watched the 1961 BBC production of A For Andromeda and apart from having a crush on Julie Christie (at the age of nine!) and a fascination with the sinister sounding staccato pulses from the computer's speaker,** the only other strong memory I have is of a bad-tempered John Fleming curtly snapping his way through the series; Fleming, like Hoyle, believed he knew better than most, particularly the bureaucrats and politicians. We have to admit, of course, that Hoyle himself often did know better!

Hoyle's new environment in the Lake district is described by an Express reporter who visited him in 1981 and wrote an article in the Express titled "Spaceman Sir Fred still winning his Star Wars". I don't know about winning, but he was still fighting those wars, just like his alter ego Dr. Fleming. In the article we read this:

Fred Hoyle lives in almost perfect peace. His old stone farmhouse is just a few telescope lengths from the lip of Ullswater and from the panoramic windows of his study the Helvellyn Hills drift silently away against the sky, as though into space. Far away is where Professor Sir Fred Hoyle likes to be. Distance and seclusion, and perhaps even the double glazing which shuts out sounds no more disturbing than the singing of garden birds, have been his way of life for almost a decade. It is also symbolically shuts out the aggravating sound of the ribald laughter with which the academic establishment greets so many of his pronouncements. For more than 30 years Hoyle, who will be 66 this month, has been rocking the world with his theories......... "At the time people were laughing at me" he says peering at the hills with dark penetrating eyes.  (Geoffrey Levy, Express 16 June 1981)


As time progressed the objects of Hoyle's novel generating imagination became inextricably mixed with his science. In his 1983 book "The Intelligent Universe" (of which I have a copy), the "scientific" ideas he sketches out could be a plot to one of his novels. The book provides insight into the direction his thought was taking as he mulled over the meaning of life, the universe and everything during his rambles in the epic landscape of the Lake District where, unlike Abington, the sense of ancient geologic time is very real. The book is subtitled "A new view of creation and evolution" and tenders an original way of looking at the cosmic evolutionary dynamic. Hoyle was well known for his startling originality and this book is no exception. In fact the book has, to my mind, parallels with A for Andromeda. In "The Intelligent Universe" Fred Hoyle is effectively playing the part of a Dr. Fleming type figure, telling us what he thinks an alien cosmic intelligence, an intelligence which literally pervades our own cosmos, is up to. In fact chapter 9 is titled "What is Intelligence up to?". For Hoyle that Intelligence emanates from the unimaginably long eons of the eternity of time posited by his Steady State Theory of the Universe. This Intelligence has learnt how to fine tune the universe to suit its eternal propagation. This management of the universe takes place largely via the vectors of microorganisms which travel across space delivering the information in their genetic makeup. This propagation has parallels with the radio signal from deep space in A for Andromeda. This signal transmitted information about how to build a computer intelligence, an intelligence that ultimately was looking out for its own survival at the expense of humanity. In Hoyle's mind the cosmic Intelligence he tenders in "The Intelligent Universe" is God-like in that its causation can be transmitted from the future as well as the past and therefore it straddles all of infinite time. Therefore, for Hoyle this Intelligence is, as it were, the alpha and the omega, the first and the last, the beginning and the end (Rev 22:13). But Hoyle's Intelligence is no transcendent Christian God: His is a pantheistic view where his proposed Intelligence is very much part of and trapped in the cosmos as it engages in an eternal struggle to subdue its own internal tendency toward chaos: So, the meaning of life for Hoyle is a kind of eternal Kaos Kampf. In Hoyle's worldview the cosmos has no real endgame but is forever struggling to maintain intelligent self-awareness and humanity is bound up with this struggle.

All this, of course, is very far removed from that peaceful country lane in Abington where one Saturday afternoon in the summer of 2022 I stumbled across the large cottage Fred Hoyle occupied for a couple of decades or more. For someone like Hoyle I imagine that the quiet lanes of Abington with their trimmed hedgerows and the gentle undulating countryside of Cambridgeshire felt nearly as claustrophobic and stultifying as Cambridge University's bureaucracy. When Hoyle eventually settled in the untamed landscape of the Lake District, not so far from the wild lands of Wuthering Heights, it connected much better with his mentality. In this dangerous far-seeing landscape eternity & the cosmic perspective are much more palpable than they are in the cozy lanes of Abington. As with the Bronte's I suspect the elemental landscape around him helped to inspire his creativity. As he aged Hoyle started to speculate on the meaning of life and what appears to be some kind of God-consciousness surfaced in his later years. He was trying to make anthropic sense of the universe, much like myself.  Moreover, like many others he was puzzled by the highly contingent anti-chance configurations & specifications of the cosmos and thought that this fact demanded explanation; on that score I'm with him. But being an atheistic science buff, he sought to keep his speculations as far as possible within the material universe he knew, and so as a kind of seat-of-the-pants project he wrote The Intelligent Universe.  

As I've already said the landscape, he was now in was dangerous and that proved to be the case for poor Fred. Hoyle's end was hastened when during one of his country hikes, he fell into a ravine near Shipley not far from where he was born. That wouldn't have happened if he lived out his retirement in Abington. But then perhaps neither would some of his off-the-wall ideas have happened.

Hoyle: Tough, pugnacious and cantankerous.



Footnotes

* ...according to the journalist Geoffrey Levy.

** The early computers had their program loops linked to loudspeakers as a crude way of helping to debug a program and detect the cause of software lock ups. On the BBC's A for Andromeda this auditory rendering of algorithmic looping was an eerie sound effect successfully conveying the mystique associated with the "thinking machines" of that era & also represented the sinister nature of the "thoughts" of the Andromeda computer that was intent on controlling Earth. But having worked on my Thinknet project I find algorithmic looping a far too primitive a notion for a real thinking machine.

NOTE:
This proved to be an interesting article in the Guardian: